Flashback 1:
These pieces had to be just at the side of the stage for the
actors to grab, however one of the actors finishes the scene just off centre
stage so I have to meet her part way once the curtains have closed. The first
flashback is Front of Tabs meaning in
front of the closed curtains, giving the crew time to change the set. This
scene flashes back to the time when Mr
Pinkerton, John, Ruth and Geoffrey, were rehearsing for their community production
of Hamlet.
Now this seemed like a good opportunity to make something
Shakespearean, or rather Elizabethan, to make it seem more interesting...costume
wise. However as the flashback was of a rehearsal I didn't want everyone
wearing Hamlet costumes (which would have taken a long time to make for a such
a short scene anyway) so I decided for Ruth
to wear a Hamlet-esque costume as she would be playing Hamlet. Yet I wanted the
costume to be a toile, to give the feel of a production in
progress, however I wasn't sure if the audience would realise it was just a
toile and not a bad looking/made garment...
Mr Pinkerton took off his tie and jacket; Geoffrey had a jacket that was quick and easy to throw on, which he kept just at the side of the stage. John was off stage the scene before so he had a jumper over the costume for his next scene because he had to be back on in seconds. Also as he was supposed to be in rehearsals I classed this as a non public event, so he didn't wear his mayoral chains, which helped with the quick change back for the next scene.
 |
| Performance photo by Ashley Foster |
(Although the photo above is slightly confusing as it was
taken during actual rehearsals when Pinkerton
wore his coat and the ruff hadn't been attached to the doublet yet).
As for Ruth, it still needed to be something that could be put on very
quickly, so I decided to go with a Doublet.
The ruff sits at such a good angle because I sewed it to the top of the collar which naturally goes up more at the back, the ruff can then be tied at the front with ribbons. I attached the ruff to the collar of the doublet as I really wanted the ruff to be part of the costume, but knew that the actress wouldn't have enough time to put the jacket on and tie a ruff on before going through the curtain. Doing this saved precious time for the change but still gives a great look...I think at least.
The ruff was made by cutting a 13cm wide piece of cotton
(apparently linen also works well). I can't quite remember the length of the
piece though...sorry.
I then sectioned off 3cm segments all the way along. These
would then be turned into box pleats, and ironed/steamed to press them down.
Once done I ran some long gathering stitches about 0.5 cm
and 1cm from the top.
When happy with the gathers, they were sewn in place. I then
measured the end length and cut a section of fabric to match (42cm by 5cm) which
would be sewn around the inside of the ruff to encase the edge. I then
stitched a white ribbon on either end of the inner ruff which would be used to
tie it together.
I ended up having to make another set of pleats to attach,
because it wasn't long enough when it was gathered up as much as I'd have liked.
If I made it again, I'd probably make another third to attach as well, to make
the pleated edge closer together, and add stitches to get that lovely figure of
8 appearance.
I really liked the look of the ruff once the pleats had been steamed . To get the pleats to look more rounded I steamed them using an old curling iron, steaming each for 15-20 seconds. I did this three times, spraying the ruff with starch before each go, letting it soak in a bit before 'curling'. Spraying the ruff and then steaming/'curling' set the starch and gave more structure to the shape of the pleats.
However since finishing this I would have added more pleats
to the ruff (as mentioned earlier), so that when it was worn they were closer
together...but for a fist attempt I
think it went pretty well. However because this was to be a toile for onstage I
didn't insert the boning (but did sew the channels) and didn't hem the doublet,
but still think it turned out well.
Flashback 2:
The second scene in the flashback was then a series of phone
calls between Geoffrey and John, Pinkerton and then Kevin (individually), adding to the ruse. Again just seconds after
the rehearsal flashback another change was needed to simulate a different day,
mainly with the use of coats for John and
Pinkerton.
However Kevin,
who was calling in sick, couldn't really be in his uniform, unless he knew that his excuse wouldn't work and so would still have to go in. So for this I decided a hoodie
would do (loungewear, something comfortable). He then also had to appear in a bit
walking through the audience with his coat on (on his way to work), ready to
take off to be in his uniform for the next scene. Therefore he had to have very
easily changeable additions that he could have on and off quickly whilst walking
to the point of entrance.
The last flashback was John meeting up with Ruth at the hotel, when he gives
her a new knife as a present. This flashback was pretty straight forward seeing
as it is in the hotel and Ruth therefore wears her uniform and John just
wore the same as the last flashback but with his chains.
 |
| Original Performance Photo by Ashley Foster |
And that concludes the flashbacks and my posts of the adult production of 'Write Place, Write Time'.
Links:
Thank
you to Ashley Foster for the performance photos, if you want to have a look at
his other work or more photos from the adult
production please visit his website at http://ashleyfosterphotography.co.uk/ The performance photos I
have used I have cropped down to focus on individuals, going to his website
will allow you to see full performance shots.
If
you are interested in the drama group itself that I do the costumes for please
check out their website at http://www.thegrangeplayers.co.uk or their Facebook page https://www.facebook.com/thegrangeplayers where there are more
photos to look at and you can check out any upcoming shows.
Talk to you soon.
~K
